Explosive new evidence links Tony Podesta, James Alefantis, Jimmy Savile and abuse victim Kim Noble to same British medical foundation. Welcome to Tavistock.



Summary
Evidence that members of Comet Ping Pong's inner circle are working for organized crime ring located in the City of London, primarily consisting of a medical institution called the Wellcome Trust. Evidence suggests Wellcome is the primary engine of the elusive 'Tavistock' program that has been fodder for conspiracy theorists for decades. 
The connections also reveal that Comet Ping Pong's James Alefantis and company use contemporary art and occult rituals to further the goals of this ring, which is loosely supported by American, British intelligence, along with the oligarchic Rockefeller and Rothschild families.
(Part 2 will focus on Weinstein, Diana Jenkins and the amfAR connection)
Body
About a year ago, my source in DC told me that he visited Bucks Fishing and Camping soon after the allegations about Pizzagate came out. While they couldn't glean any incriminating information from a conversation they had with Alefantis, he noticed something strange: The doors of Buck's contains the words 'Well' and 'Come' on either door. Wellcome.

So there's this large foundation in England called the Wellcome Trust. They are a legitimate research group who pours billions into medical research every year. Their work has cured diseases and helped fund thousands of new treatment methods.

The Wellcome Trust, London
Now a little digging reveals they are an official partner of Tavistock. In fact, their headquarters are both by Tavistock Square--located within the larger University College London campus. 

The partner organisation to the Tavistock Institute’s Archive Project is the Wellcome Trust, “an independent global charitable foundation dedicated to improving health, because good health makes life better”. The Trust provides annually £700 million to support bright minds in science, the humanities and the social sciences, as well as education, public engagement and the application of research to medicine.

The Trust is the result of over a century of massive profits by company called Burroughs Wellcome PLC, the first company to popularize pharmaceutical medicine in pill form. Their popularity was largely the result of pioneering marketing campaigns that helped sell "opiates to the masses". 
Journalist Brian Deer was one of the first to bring forth the notion that Wellcome were producing both drugs and "drug culture", most notably through aggressive advertising in newspapers. So ubiquitous were their ads, that one of their products--Tabloids--became synonymous with the oversaturated gossip media that would take over the world. You could almost say they were the original purveyors of Fake News.
Across the street from Wellcome, British intellectuals, wealthy American families and celebrity psychologists found the Tavistock Institute of Human relations to deal with soldiers who have PTSD and run social experiments.
Despite massive profits and being a household name in the UK, Wellcome company remains relatively unknown outside of England until the 1960s. At one point, they have more than double the amount of reserves as the Church of England. 
The interior's grandeur does perfect justice to 183's extraordinary role. This building is the headquarters of the Wellcome Trust, the world's richest private medical research foundation, with assets of more than £10 billion. It is the wealthiest British charity, declaring assets twice as great as the Church of England commissioners. From here the trust controls Wellcome plc, a top multinational drug company. And, through that company, it controls Burroughs Wellcome, its United States offshoot, and the charitable Burroughs Wellcome Fund.
From these companies and charities, through grants and sponsorships, government agencies, universities, hospitals and scientists are influenced all over the world. The trust distributes more money to institutions than even the British government's Medical Research Council.
In 1963, the British government passes legislation allowing for the use of Birth Control medicine. Soon after, Wellcome introduces Gonnorhea medication, which will become massively profitable for the company. 
In the 1960s, which saw gonorrhoea cases jump 300%, the Wellcome Foundation was an obscure English enterprise, strong on publicity (and caffeine-based home remedies), but with few bright scientists - mostly in the US - and a modest reputation in cancer. But as "adultery" fell out of popular usage, and “promiscuity” began losing its stigma, the empire based in Euston Road was on the spot with relevant products.
The 1970s saw the rise of its antibacterial, Septrin, Septra or Septran, used commonly for urinary tract, and some sexually-transmitted, infections. The 1980s saw the unveiling of Zovirax, its antiviral for herpes simplex. And the 1990s was its decade for AZT, its therapy for HIV/Aids. Source
Henry Wellcome, the founder, was a high-ranking Freemason who became both a Knight of Malta and closely tied to the Bank of England Freemasons. Though recusing his commitment to freemasonry, he donated a portrait of George Washington in Freemason garbs when he died. He also designated in his will to ensure the company would continue to grow, using cutting edge advertising techniques that would encourage unprecedented pharmaceutical use. Henry Wellcome was also a Royal Society Freemason. The collection is also the world's foremost in Knights Templar artifacts. 
At the beginning of the 1980s, AIDS breaks out all over the world. A few years after the disease hits a fever pitch in American inner cities, Burroughs-Wellcome PLC introduces AZT, a potential form of treatment for HIV sufferers. 
The Wellcome Building, 183 Euston Rd., London. Notice the eye of Horus.
Immediately, multiple LGBT figures and AIDS scientists blow the whistle on AZT, claiming it does not properly treat HIV and actually further destroys the immune system. They claim it would be insane to believe AZT is a viable solution.
BWC tries to get FDA approval to pass AZT as these debates are happening. To do so, they pour millions of dollars into starting and promoting AIDS groups. Two important groups get their first major funding from Wellcome's charitable arm: ACT UP! and amfAR (which will eventually be close with Harvey Weinstein and the Clintons). 
In fact, for years, Burroughs Wellcome has been giving money to a great number of AIDS organizations, large and small. A Chicago-based AIDS organization, Test Positive Aware Network, just received $350,000 from Burroughs Wellcome, which amounts to half of its budget. The group said it used the money to pay for its newsletter. Project Inform, a leading AIDS organization and information service, got $150,000 from Wellcome to upgrade its computer system. Treatment Action Group (TAG), an offshoot of ACT UP, received $10,000,and ACT UP Golden Gate received $2,000. Says TAG founder Peter Staley, "It's hard to find an AIDS organization that hasn't taken money from Burroughs Wellcome."
Burroughs-Wellcome's HIV Voodoo
ACT UP! stage protests all over the United States *begging* the FDA to pass AZT. In one case, they barricade themselves in Burroughs-Wellcome's North Carolina headquarters (Even though they were funded by Wellcome). In another case, Wellcome pays the airfare and hotel for dozens of delegates at an AIDS conference. In an unprecedented move, trials are cut short and the drug is passed in record time. 
At the time, many AIDS activists were unaware that the corporation they were protesting--Burroughs Wellcome PLC--had also provided most of the early funding for their organization through a sister foundation. The goal of the organization was to facilitate access to AIDS drugs their funders were also trying to sell. 
Wellcome/ACT UP also back a massive art campaign, funding contemporary artists at the Museum of Modern Art. Artists include Robert Mapplethorpe, Robert Wojnarowicz and Louise Bourgeois (Here is some of their art). At the same time, Wellcome puts hundreds of thousands of dollars into LGBT magazine ads one critic describes as "hypnosis" (activist photo). Much of Bourgeois' art ends up in the Heather and Tony Podesta collection, which will then be featured in various galleries and in their Kalorama home.
Strangely enough, Burroughs-Wellcome was two decades earlier the top seller of poppers (Amylnitrate), which has been found to cripple the immune system and cause Kaposi's Sarcoma. Club drugs like amylnitrate ran rampant in gay bars in the 1980s, so much so that some NYC clubs sprayed poppers like pesticide onto the dancefloor.
Okay, so you're probably wondering what any of this has to do with Pizzagate. Well in 2011, The National Gallery of Art bans a Robert Wojnarowicz piece called Fire in My Belly, citing its satanic imagery. The film includes the immolation of a child puppet along with the artist masturbating. Immediately after, local groups stage a protest led by local art dealer and restaurant owner James Alefantis (photo). He and his gallery display the video on a TV in their gallery storefront. 
Alefantis was one of the key organizers of an anti-censorship protest against the banning of a Robert Wojnarowicz film at the Smithsonian.

Robert Wojnarowicz movie 'Where Evil Dwells', based on the murders committed by occult teen Ricky Kasso, includes graphic depictions of ritual abuse, rape, torture and murder.
Further investigation shows that Alefantis' friend and local musician Kid Congo Powers was a member of ACT UP! in the 90s. And lo and behold, a photo on his blogspot shows he and his husband have visited the Wellcome collection in London. Among Illuminati locations and the Yale University Gallery of Art, literally Skull and Bones headquarters, where his husband is the curator. They all take part in the Transformer auction. 
Alefantis later posts a photo before his trip to London where he shows British currency in the shape of pyramid and a bottle of pills. Remember that Wellcome were the inventor of Tablet medication.
The former Director-General of the Wellcome Trust headed MI6 and is now at the RIIA, a group some have alleged has sway in American foreign policy. 
Wellcome has also boasted some links to the Rothschild family fortune, most notably in research and philanthropy. The Trust and the Rothschilds have managed large sums, mostly in the form of endowments, at Universities like Oxford and University College. Take this piece on Sandra Robertson as an example. 
Before she was appointed head of Oxford University Endowment Management (OUEM) Ltd in September 2007, Robertson was co-head of portfolio management at the Wellcome Trust, the UK's largest charity. She is also a non-executive director of the Rothschild Investment Trust, controlled by the Rothschild dynasty. The OUEM, which is listed in records at Companies House as "a wholly owned subsidiary" of Oxford University, invests endowments for all but five of the university's colleges as well as the university itself. It boasts funds totalling approximately £900m compared to Cambridge's £1bn. 
The Wellcome Trust is also a successful early investor in Facebook, Snapchat and Alibaba, and has benefited generously from the windfall. 
Wellcome Collection, London, UK. Sculpture by Antony Gormley
Another sculpture by Anthony Gormley appears in Tony Podesta's backyard. If you look closely, you can see the Louise Bourgeois piece located on the second floor. Bourgeois participated in ACT UP! with MoMA. 
Louise Bourgeois, Sleep II. 
Sleep II, Louise Bourgeois. 
The Destruction of the Father (1974) is the culmination of the works Bourgeois made in the 1960s and early 70s, synthesizing the cave-like structure of the lairs, the primordial forms of the soft landscapes, and the more explicit sexual attributes of works such as Sleep II (1967). According to Bourgeois’ account, she was reenacting a childhood revenge fantasy of revolt against her father who gloats and brags at the dinner table and whom, in exasperation, she dismembers and devours. (source)
Alefantis' Transformer Gallery hosted this entire room, shipped from the TATE Modern in London. Several suggestive messages in the Wikileaks Podesta Emails suggest Tony Podesta and Alefantis are trafficking blood. 
Alefantis' Instagram has provided ample evidence of a pedophile ring, but one picture has, for me, been of particular interest. Notice the shape of the bills in a pyramid, and the presence of the 'Bank of England' marking. Evidence has already tied Alefantis to the Rothschilds, the symbolic owners of Bank of England. The pills are even more interesting, though, because Wellcome, the inventor of tablet medication, appears to be linked to Podesta and Alefantis.  
This MOMA/ACT UP exhibition piece is now owned by Agnes Gund, a senior representative of the Art in Embassies Program run by the US State Department. Evidence suggests this art may be part of a larger organized crime operation we are only scratching the surface of.
Arch of Hysteria - Guggenheim - http://docdro.id/8d0mfCw
Louise Bourgeois' Arch of Hysteria. Tony Podesta is one of the top art collectors in the world, but his art may be hiding a terrible secret, according to newly-unearthed evidence.
***
Conspiracy writer Robert Gates Sr. is one of the few that recognized that the Wellcome Trust's former chairman, Sir Robert Franks, is not only assisting the Rockefeller's in their extended efforts to control the British-American populace, but also actively conspiring against them to maintain British control of American subjects. 
Identifying the Ring
It's an open secret that the CIA funded artists at the Museum of Modern Art (MoMA), and spread American cultural propaganda through a gallery network using the 'Art in Embassies' program. The CIA funding is alleged to have ended in the 1970s.
During the late 2000s, a contemporary artist called Jeremy Blake and a video game designer called Teresa Duncan make an improbable rise in the MoMA social world. Not long after, they both become disillusioned by their circle, strangely claiming that 'scientologist' artists are gangstalking and intimidating them.
But amazingly, a Vanity Fair narrative profile detailing the spontaneous suicide of the two artists who, in their own right, had a lengthy background with the occult, includes the strange accusation that artist Anna Gaskell is a member of the CIA and is closely tied to MK Ultra. Much of her work is owned by Tony Podesta This comes from her ex-boyfriend, who died in mysterious circumstances off the coast of Queens in 2011, but a closer look at the evidence reveals it is likely true.
Teresa Duncan launches a blog where she accuses art critic Jerry Saltz and Podesta-backed artist Anna Gaskell of being 'Project Mockingbird' assets. She also claims that the Rothschilds have infiltrated the New York art world through clandestine assets. She and her husband are found dead days later in separate suicides. Further investigation shows they were associated with Washington DC's art-punk scene and had mutual friends with Alefantis. 
Jerry Saltz, one of the nation's foremost art critics, has been accused of working for "Mockingbird" CIA interests by multiple individuals.
Recently, an artist came out and accused contemporary artist Richard Prince of plagiarizing his work. The artist also accused him of being a CIA asset who gangstalked and threatened them. The same account also accused Jerry Saltz of being a Satanist working with Prince. Prince has openly admitted that his parents worked for the OSS
Richard Prince has appeared at the Sackler Serpentine, a sister gallery to the Sackler Freer, where Alefantis has chaired a committee before. 
On top of that, The New Nationalist alleged that Robert Mapplethorpe was linked to the Son of Sam murders in the 80s, and helped produce snuff films for a Satanic pedophile ring. Mapplethorpe's art brought in hundreds of thousands of dollars to ACT UP! at their auctions. 
The following links provide a shortlist of Mapplethorpe’s depraved work: S&M, black mass, fisting, pissing into a glass, penises, rectums, satanism and awkwardly posed naked children. If you Google Mapplethorpe, you’ll also find, oddly enough, that he photographed flowers and celebrities. I won’t be displaying any of Mapplethorpe’s garbage on this website. Frankly, I don’t even like writing about him, but New Nationalist contributors believe it’s important to raise awareness about cultural rot and the weaponization of art.
Years after his killings, Berkowitz admitted to being a member of The Process Church. He said 12 members of the cult – and specifically the Carr family and son Sam Carr — was involved in some of the “Son of Sam” killings for which he took responsibility.
A convicted bank robber named Jesse Turner, who once lived with Smith and Mapplethorpe, told Terry that Mapplethorpe knew about this tape. In fact, Turner said, Mapplethorpe asked him to arrange the killing of Ronald Sisman, the man who had the tape, which was filmed at the Process’ request. Sisman was murdered in 1981, and the two hit men recovered five snuff films from Sisman’s apartment, including the Son of Sam tape.
Further review shows that several artists, including Mapplethorpe, Richard Prince, The Clash, Scissor Sisters got their start at the Institute of Contemporary Art in London, an art school/gallery located beside the British Royal Society. The school is interesting because some of the earliest contemporary artists and punk musicians got their start there--and we see the same artists coming together at MoCA museums in the United States. Interestingly, many of the CIA-linked artists from MoMA were featured at ICA. 
The ICA was founded in 1947, the same year that the CIA would begin its clandestine art exchange program, and its creations and creators would feature in the cultural circles of the latter half of the 20th century. Billed as having created Pop Art and Brutalist Architecture, you can also trace (some of) the beginnings of Punk Music to the ICA with bands like Adam and the Ants and the Clash. This, combined with its consistent partnership with MoMA, suggests that its assets are part of the same intelligence-backed program that funded American artists. 
The Scissor Sisters (pictured), like Robert Mapplethorpe, Damien Hirst or Richard Prince, all got their start at the Institute of Contemporary Arts in London, which was founded the same year the CIA started their art program (1947).  Alefantis is pictured at a Camden bar in London England, just north of Wellcome.


Robert Mapplethorpe, at the Institute of Contemporary Arts, London. The ICA seems to be linked to MoMA, and especially their intelligence activities to spread American culture abroad. 
Celebrity Luciferian Kenneth Anger at the Institute of Contemporary Arts, London
Bloggers have been made for years accusing Kenneth Anger of “blatant pedophilia” and of having Rothschild links. 
Butler has been described as the “heir” to Aleister Crowley and Kenneth Anger. The article reveals close ties between the LA contemporary art community and Black Magick.
This PDF shows that “Cameron”, a California-based performance artist. Held sex magick rituals in Los Angeles, and of course was featured at the MOCA gallery.
Having done his first solo show at ICA, Damien Hirst is today the wealthiest artist in the world, and primarily does work for AIDS advocacy events.
***
In the 1960s, notorious pedophile Jimmy Savile opens his residence inside Stoke Mandeville hospital near Bucks County, England. While major politicians like Tony Blair will eventually have sleepovers there, scientists will also run mental health studies there that Wellcome will manage and preserve. Eventually, One of Savile's victims eventually gives an accurate description of dissociative identity disorder abuse in the basement of the hospital. 
The perverted star wore a hooded robe and mask as he abused the terrifi ed victim in a candle-lit basement.He also chanted “Hail Satan” in Latin as other paedophile devil worshippers joined in and assaulted the girl at Stoke Mandeville Hospital in Buckinghamshire.
 The attack, which happened in 1975, shines a sinister new light on the former DJ’s 54-year reign of terror. Savile, who died aged 84 in October 2011, is now Britain’s worst sex offender after police revealed he preyed on at least 450 victims aged eight to 47.
The girl kept her torment hidden for nearly 20 years before finally opening up to therapist Valerie Sinason.Dr Sinason told the Sunday Express she first spoke to the victim in 1992. “She had been a patient at Stoke Mandeville in 1975 when Savile was a regular visitor.
Valerie Sinason, author of Treating Survivors of Satanist Abuse, wrote of Noble's account yet was summarily panned by her peers and critics for alleging that thousands of victims have come forward with nearly identical accounts (source). Collections of Noble's art at a British gallery show that several artists, including the children of wealthy Americans, likewise display clear depictions of ritual abuse in their art. Sinason worked at Tavistock. 
In 2011, a local artist living in London writes a guest blog post for Wellcome. Her name is Kim Noble. This is some of her art. Further investigation reveals that Wellcome, among owning items like Napoleon's toothbrush, owns the world's largest collection of Art Brut, an obscure art form that both Tony Podesta and Alefantis feature in their art collections. And this isn't a stretch, this is true: both Podesta and Wellcome have Antony Gormley statues in their respective homes. 
"Ted's Legless", Ria Pratt (Kim Noble). Far from being a salacious claim, allegations that Jimmy Saville sexually abused hospital patients to induce dissociative identity disorder suggest that a larger pedophile ring is hiding in American and British institutions. 
The Adamson collection, run by Wellcome, is linked to two important locations, La Société Art Brut in Lausanne and the American Visionary Arts Museum in Baltimore. I have written about how both of these galleries are linked to Tony Podesta and questionable imagery, but also how AVAM's board members are involved in the Transformer Gallery circuit, and are likewise involved in a pseudo-cult known loosely as "the Visionaries".
Adamson is also overseen by the Rothschilds. 
Consider some of the figures that fit the bill: The daughter of NZ prime minister John Key, who became a pseudo-stripper performance artist in France. How about the heir to the McKesson fortune? There are other potential cases here. 
John Key's daughter became a 'Satanist Artist' in Paris and was well-promoted in news media. Evidence suggests such placement may be linked to an international spy ring run out of London. 

Now, you may notice that many of the paintings quite literally depict satanist abuse. Now wouldn't it be convenient if the largest collection of such material was quietly being gathered by who else but Wellcome? The Adamson collection not only stretches to a gallery in Lausanne linked to Tony, but also to a Baltimore 'Visionary' art museum in Baltimore. Suddenly, Tony Podesta's art collection seems to be more significant than once thought. Not to mention some of the exhibited artists who have worked with both Alefantis and this museum.
The reason all of this is important is that it indicates that a heretofore unknown MK Ultra program seems to exist under the guise of "art therapy". And we know it's a lie because the artists are very clearly drawing Satanist Abuse.
Homage to Noble? Alefantis' knowledge of Art Brut suggests this poster, made for the weekly Sasha Lord Presents events at Comet Ping Pong, are referencing Satanist abuse.
But it goes deeper. Apparently, The University of London is the world's most important producer of art gallery curators. They are colloquially known as the "Courtauld Mafia". We can see fairly easily that they have graduates working at the TATE, MoMA, Guggenheim etc.
But the school, located on the Strand, seems to be some sort of dogwhistle, because Alefantis' old gallery--Strand on Volta--appears to be referencing the area. Not only that, but he refers to himself as James Strand Alefantis in the story. If one knew a thing or two about the art world, this would be an obvious reference.
But this isn't just an exception to the rule. We also see that Alefantis' gallery took in a *full room* from the TATE Modern in London and put it in his gallery. Once more, the transportation logistics leave room open for further smuggling. 
Alefantis managed to ship an entire room from the TATE Modern for an exhibit at his gallery. These shipments are the subject of a larger investigation into human trafficking and a secretive group of wealthy art dealers acting like an intelligence agency.  

Comet Ping Pong is purposefully designed to resemble the TATE Modern
Courtauld Institute of Art
The Rothschild family, known to Alefantis, stores some of their family archives at Wellcome, and even oversee large swaths of the collection
***
James Alefantis and the Comet Ping Pong Link
The Transformer Gallery hosts an annual silent auction, but few have picked up on the detail that every auction requires the transportation of art from another country that we can now know is shipped through diplomatic channels and part of the same larger network of diplomatically-exchanged art. Per the Gallery program:
This is the 13th Annual Auction and a celebration of Transformer’s 15 year anniversary. The Italian Ambassador is our diplomatic chair this year – highlighting year long collaboration with the Italian Embassy in D.C., and artistic exchange with artists and art spaces in Rome and D.C. From BrightestYoungThings. There’s more than 175 works up for silent bidding this year – I think we actually have 190 works! We say this every year – but I truly feel this is our best selection of work up for bidding yet.
Connection to Skull and Bones 
Alefantis’ connection to Skull and Bones is rather subtle, but it’s telling that all news media has reported Alefantis’ role as an event organizer for this group. This is two-pronged. First, he coordinates events with the Sackler Freer gallery owned by the Opium family. Secondly, regular Comet performer Kid Congo Powers is married to the curator of the Yale University Art GalleryVimeo. You know, the former headquarters of Skull and Bones. Kid Congo powers performs with DJ Baby Alcatraz, sometimes at Planned Parenthood events. Remember DJ Baby Alcatraz was the one who owned what appeared to be Pizza Map near Marfa.Kid Congo Powers, former member of Nick Cave and the Bad Seeds, shows a few suspicious habits on his Tumblr.
- Making Erudite references to actual Illuminati members and strange comments about the tomb at the Skull and Bones headquarters.
- Wearing an Illuminati-themed Jacket
- Showing up at Transformer auction around ambassadors and major politicians
-Vampire Teeth, and references to pizza and blood
Kid Congo Powers and the Pink Monkeybirds.
Kid Congo Powers and Ryan Hill, both major contributors at Transformer Gallery and Comet Ping Pong, appear at the Wellcome Collection.
Alefantis isn't the only member of the Comet group to promote pizza. 
Links between Comet Ping Pong figures and Skull and Bones headquarters. Links to a group called the Wellcome Trust suggest members of the Comet inner circle may be part of a larger organized crime network. (kidcongopowers.blogspot.com).
***
Skull and Bones CIA, aka the OSS
During World War II, American intelligence recruited agents through Yale University to run the earliest incarnation of the CIA. Interestingly, accounts by James Bond author/spy Ian Fleming show that some of the early intelligence ops involved Aleister Crowley and a dedicated occult spy ring. Some of this early recruitment was featured in the movie "The Good Shepherd", starring Matt Damon and Alec Baldwin.
Further investigation shows that Crowley, JG Bennett and figures as far back as Christopher Marlowe and John Dee show close ties between the British empire and Occult spy rings. As an aside, satanic blackmail appears to be a 'Secret Weapon' that the British Empire has used for centuries to blackmail opponents and assets. And JG Bennett also graduated from the School of Oriental and African studies, where the Wellcome Foundation was located during parts of the 20th century. William Sargent, a graduate the same University, has also been accused of the same thing
New Dawn Magazine, a literary publication, provides a rich history of some of the earliest spymasters 
The ‘father of the British Secret Service’ was the Elizabethan lawyer, politician, diplomat and spymaster Sir Francis Walsingham. He was a Protestant and as a young man during the bloody reign of the Catholic Queen Mary was forced to flee abroad to escape persecution. While in exile, Walsingham learnt Italian and French and became acquainted with the work of the famous Venetian Secret Service that used its spying skills for trade and commerce under the cloak of diplomacy.
One of the famous occultists he is known to have recruited was Queen Elizabeth’s court astrologer and the magical architect of the British Empire, the Welsh magician Dr John Dee...This placed him at the heart of government and he proceeded to set up what amounted to the first organised foreign espionage service to operate from England.
The history of occult spying continues into the early 20th century, where we see the emergence of libertine figures like Madame Blavatsky and Aleister Crowley. There seems to be somewhat of a schism between conspiracy theorists when it comes to categorizing Crowley as either a magician or a hack, but for the sake of my argument, I think the true nature of his identity has always been obscured, and deliberately at that. Given that he was an apparent alcoholic with not a shred of morality, Crowley doesn't seem like the kind of guy with any national loyalties, but that may have been the point. From the book The Occult War:
 In 1933, the year that the Nazis took power in Germany, Crowley met an eccentric Welsh aristocrat Viscount Tregedar (Evan Morgan 1893-1949). His haunted country house was near Newport in South Wales and was the site of famous wild parties to which he invited a wide mix of social types including Aldous Huxley and H.G. Wells. The estate included a private zoo featuring a kangaroo, honey bear, baboon and a macaw parrot. Queen Mary, the present queen’s grandmother, called Lord Tredegar “My favourite bohemian”. One of hismore unusual and notorious house guests was, perhaps significantly in the light of later dramatic events, the Nazi deputy-fuehrer Rudolf Hess. 
Both MI5 and the SIS approached and recruited occultists a the time because of their specialist knowledge and skills. On September 10th 1939, seven days after the war started, and after filling in an application form, Crowley was invited to an interview at the Admiralty in Whitehall. This was with Commander C.J. Lang of the Naval Intelligence Department (NID). Only the two men know what happened at this secret meeting, but it has been claimed that when Crowley died in 1946 among his papers was found a note from the NID acknowledging his ‘war efforts’ 
So are you beginning to see the connection I'm trying to make here? 


The OSS laid the bedrock of the establishment of the CIA, but there are many indications that suggest that they didn’t actually disappear. Its origins were deeply entwined with Yale University and the Skull & Bones, the secret society who has been portrayed as a kind of frat house in popular media, but was actually closely tied to legacy multinational interests like the British East India Company. Yale founder Elihu Yale was a member of the company. Remember that the British East India Company made extraordinary profits by pumping China with opiates, and worked to maintain demand through privatized warfare. 
Now to return, briefly, to Wellcome, I want to make the tentative case that the rise of medical corporations and foundations in the United Kingdom following the demise of the East India Company was not the result of economics, but rather a deliberate attempt to push opium and other pharmaceuticals onto regular citizens (as opposed to Chinese peasants). What would be required are the industrial production of opiates, the ability to distribute them quickly. 
The OSS is said to have ended in 1945, but strange clues suggest that the OSS has continued to exist that a smuggling agency primarily backed by celebrities and public figures. My posts on the Los Angeles music scene and David Geffen's art gallery reveal close links between American oligarchs, the occult and punk bands. An example of this is Blink 182's Tom Delonge, who brandished an OSS medal showing his contributions to the agency. 
Tom Delonge's Instagram shows that he has contributed to the OSS. On top of correspondences with John Podesta, along with a lengthy relationship with the Kerry-Heinz family, questions about the legitimacy of his "alien" interests arise.


Bands which have played at Comet tend to keep the same lingo and imagery outside of Comet, even when the location has little or nothing to do with Pizza. They even perform at other "space" themed venues.
The use of the Warhol Campbell's soup can could be a reference to an organized crime ring located in MoMA. The museum was largely responsible for popularizing pop art in the United States, but they have been linked to the CIA for over half a century.

Many Blink 182 posters contain imagery of blood and owls, a stark contrast to their playful pop-punk music.


Delonge with the Heinz-Kerry's. The Heinz family--along with Kerry--are famously known for their affiliations with Skull & Bones. New evidence suggests they are operating as an organized crime operation in the United States and England.

Punk bands like Bad Religion have contributed support to Rockefeller, Wellcome-linked groups such as Planned Parenthood and NRDC. Bad Religion's Brian Baker is friends with Alefantis is on the art board for his gallery. 
Members of the Comet inner circle co-headline a Planned Parenthood benefit, a pattern seen around the country.
***
The Conspiracy

Researcher WhiteDeer has gone to great lengths to identify a group called 'Findhorn' as running MK Ultra operations in the United States.
Aldous Huxley wrote to George Orwell: "Within the next generation I believe that the world's leaders will discover that infant conditioning and narco-hypnosis are more efficient, as instruments of government, than clubs and prisons, and that the lust for power can be just as completely satisfied by suggesting people into loving their servitude as by flogging them and kicking them into obedience."
I believe they are using campuses like Findhorn and Esalen to perform MKULTRA on their "elites" (eg Concious Conception) - meanwhile they are actively practicing Eugenics on everyone else (Teens and Toddlers) Theses are the places and the cover programs by which they create and maintain multiple personality disorder in our ruling class.
"Dorothy Maclean; one of the Founding Members of Findhorn, is linked to the OSS, precursor to the CIA. From her Wiki page:"From 1941 onwards she worked for the British Security Coordination in New York City.."
According to its wikipedia page: "British Security Co-ordination (BSC) was a covert organisation set up in New York City by the British Secret Intelligence Service (MI6) in May 1940 upon the authorisation of Prime Minister Winston Churchill. Its purpose was to investigate enemy activities, prevent sabotage against British interests in the Americas, and mobilise pro-British opinion in the Americas. As a 'huge secret agency of nationwide news manipulation and black propaganda',"
Whitedeer also made the important connection that the OSS was in fact a supporter and supported by members of the British secret service, which may not be such a red flag except that the evidence points to this British-American group operating as a clandestine service within the United States. 
BSC benefitted from support given by the chief of the US Office of Strategic Services, OSS".
"The founders of Findhorn were meeting in occult groups and working for British intelligence operations which focused on psyops. Dorothy Maclean was working for the BSC reportedly "worked with" Sheena Govan, another central Findhorn figure while they were "both secretaries in New York" and "again later in London." One would speculate that they were working for BSC at the same time."
The links between Tavistock and DC go back a century. 
The Harriman and Onassis clans were the two symbolic residents of the Middleburg estate now known as the Salamander Resort & Spa.
Alefantis visiting the Salamander Resort. The Middleburg destination was once the seat the Harriman family, one of the pioneers of the British/Rockefeller Tavistock program. 
The Farm in Middleburg is interesting because it’s the same one that Alefantis visited and showed us that $1300 baby doll with its mouth open. When Dems went and fundraised there in the early 90s, George HW Bush sarcastically referred to it as a ‘bastion of democracy’.
The Harrimans' have always been one of the key families bringing forth presidential candidates, but in the 1980s, as the DNC cited a lack of funds, Pamela Harriman and Tony Podesta began doing their ‘offsite’ fundraisers, (Tony hosting his 'Pesto Pac') and Harriman calling them PAMPAC. These parties are important because it represents the first time that the Clinton’s were given a seat at the table in DC - Bill Clinton and Teddy Kennedy attended many of these dinners in the 80s. As for Podesta, you had Hastert, and then eventually Alefantis and Abramovich with the infamous PizzaPac parties
The Harriman family were one of the three key founders of the Tavistock program in the UK and a eugenics program in the US, something that was alleged to have first been used to drum up American support for World War I and the establishment of the federal reserve.. This article in SF Gate is worth the read, and in fact makes another startling discovery: That Nazi Eugenicists held a conference at the Los Angeles County Museum of Art. Why is this so important? Tony Podesta considered donating much of his art there.   If you take one thing from this research, it's that the people who ran Tavistock have always been involved in DC. Its an extended Brownstone operation. 
Their plan was to use "British Strategy" along with the top psychological figures in Europe to develop an advanced public relations apparatus that could easily sway public opinion.
As one of the best known but misunderstood conspiracy documents of the past decades, John Coleman's account of Tavistock has remained one of the most shocking descriptions of a secret British cabal exerting corporate and cultural control, but it has thus far been misunderstood. But once you consider the role of what Wellcome has been doing in pushing AIDS/LGBT advocacy as a way of pushing pharmaceutical drugs, you begin to understand that that there's a treasonous bent to this entire situation. 
John Coleman, famous conspiracy theorist, may have been correct about a British Institute's pernicious involvement in DC politics 
"Tavistockorganized and trained the entire staffs of the Office of Strategic Services (OSS), the Strategic Bombing Survey, Supreme Headquarters of the Allied Expeditionary Forces, and other key American military groups during World War II. During World War II, the Tavistock Institute combined with the medical sciences division of the Rockefeller Foundation for esoteric experiments with mind-altering drugs. The present drug culture of the United States is traced in its entirety to this Institute, which supervised the Central Intelligence Agency’s training programs."
He also claims that Tavistock has always been closely tied to Skull and Bones:
The Mental Hygiene Society of which Prescott Bush was a director was a project of the Order of Skull and Bones. The society "would evolve into the CIA's cultural engineering effort of the 1950s, the drugs and brainwashing adventure known as 'MK-Ultra'...an anti-American project which poured drugs into the country and worked to fabricate the drug-sex youth culture. 
Pamela Harriman, for one, was once closely tied to Elie De Rothschild and many prominent figures in the British government. She is also related to Winston Churchill It turns out, though, that Mary Harriman, once proclaimed the wealthiest woman in the world, was director of entertainment for Congress, all while Averell Harriman worked with luminaries such as Edward Bernays, Sigmund Freud and even Carl Jung in establishing a psychological program in London known as the Tavistock clinic this is all accessible in the Coleman link.
During Bill Clinton’s presidency, Pamela Harriman became US ambassador to France, and helped prolong the efforts of the Art in Embassies Program between the two countries, something that Tony Podesta and Alefantis were eventually both involved in.
Notice that one of the sponsors that continues to support Tony Podesta/Alefantis events was J.P. Morgan, who helped host art tours at Tony's house. They are also a major supporter of the Edible Schoolyard program, the organization that Alefantis is an official advisor for. Notice some A-list names below hi (Meryl Streep, Robert Redford, countless journalists).
In an article in the early 1980s, who else but Tony Podesta credits Harriman for saving the Democratic party. His actions, though, should not be understated, as he and Ted Kennedy started their art fundraising program at the same time.
As an aside, some have even claimed that Bill Clinton is the son of Pamela Harriman, but such claims are unsubstantiated. 
Pamela Harriman. Harriman estate bequeathed to the Churchill's . Evidence suggests DC-Tavistock link has been active for over a century.
***
The Art in Embassies Program
Now we need to remember that the OSS and the Museum of Modern Art had a major role in producing art as a "CIA Weapon". Not only is this proven, but many of the details are well-understood today. Per the Independent:
The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a button it could hear whatever tune it wanted playing across the world.
But there's extensive proof that indicates that CIA brass were tasked with managing the art exchange program, most notably the one at MoMA. But why would a senior member of the CIA even bother with such a task?
The museum was also linked to the CIA by several other bridges. William Paley, the president of CBS broadcasting and a founding father of the CIA, sat on the members' board of the museum's International Programme. John Hay Whitney, who had served in the agency's wartime predecessor, the OSS, was its chairman. And Tom Braden, first chief of the CIA's International Organisations Division, was executive secretary of the museum in 1949.
Jay Whitney was also the UK ambassador at one point. 
Now, we mentioned earlier that the OSS/CIA has its roots in Britain. But a closer look at the aforementioned 'Art in Embassies' program shows that the legacy of the program continued after the war, most notably with continued intelligence activity related to contemporary art and diplomatic art exchange. I have found two scholarly sources that confirm CIA involvement with the program.
Art In Embassies History 
Rockefeller had other more complex motives than simply exporting his native country’s artistic achievements. This was evident by his involvement in multiple organizations participating in art diplomacy geared toward extoling capitalist democracy. Nelson was the grandson of Standard Oil founder John D. Rockefeller and one of the five brothers which founded the Rockefeller Brothers Fund. The arts were always a part of his life and education; due in large part to his mother, Abby Aldrich Rockefeller35, who was one of the primary founders of MoMA. Rockefeller’s resume during the 1940s and 1950s includes several government and private positions which allowed him to influence art diplomacy, including the exhibits sent to Latin America during WWII. 
The Art in Embassies program was the vision of the Rockefeller family, who sought to establish their own wing of American intelligence to promote culture. Multiple art historians have confirmed that the program is intertwined with American intelligence and is not just a 'cultural program' per the official description. The author went so far as to allege that the program was a smuggling ploy. And since they worked out of London and not the United States, you would think it would cause some friction.
For one, we see that the Rockefeller's exerted their influence upn other museums in New York City, but what we also see is the continuation of programs by the CIAA, the original art program organizers. 
Rockefeller viewed the arrangement between CIAA and MoMA as an productive partnership between the government an d the private sector. This was an arrangement in which MoMA could maintain a major share of control over the exhibitions it prepared in support of the government's national agendas, as envisioned by Rockefeller. That Rockefeller was not only pleased with the CIAA art program but also intended to continue these activities following the war is suggested by his employment at MoMA of his two top-level CIAA staff members—d'Harmoncourt and McCray. 
Skull & Bones, kings of opium and smuggling
The Art in Embassies program is run by many members/alumni of the Yale circle of elites, including John Kerry, Hillary Clinton, Robert Storr (Dean of Yale School of Art) and many other industrialist families behind some of America’s best-known brands. The Sackler's, the family behind Purdue Pharma (Valium and Oxycontin), clearly took time away from their role as drug-pushers to promote the arts with the global elite. Here they are with their esteemed lapdog Alec Baldwin. This is an important detail I can’t stress enough. They literally controlled the Opium market with a prescription drug, exactly as the United States did in Afghanistan, all the way back to the era of the Opium Wars in China…which Skull and Bones controlled. Remember, these families are primarily located around Connecticut. The Sacklers, who have coordinated events with James Alefantis, presented medals to Marina Abramovic and Jeff Koons, both of whose work have been transported on these aircraft multiple times, some directly through the Tony and Heather Podesta collection. In fact, Podesta “gifted” transported some of Abramovic’s "bloody" work to Whitechapel, London, supported in part by the "UK Friends of the National Museum of Women Artists". Notice how they conceal their organizations--diplomatic groups functioning within art galleries.The event shows that it’s not simply celebrating art, but actually announcing the sending of the paintings. 
The event marks the beginning of a landmark collaboration between the Sackler and Art in Embassies. In coming years, the Sackler will host exhibitions of works by contemporary Asian and Asian American artists before their installation by Arts in Embassies at new U.S. embassies overseas.
Here’s where it gets weirder. Jeff Koons was actually socializing with Philippa Rothschild days before the event. Previous parties where they’ve been seen together in France include cameos by The Hearst family, the Lauders and other globalists. [Jeff Koons had literally just met the Rothschild Family in Paris, an annual meeting that appears to be coordinated with the Art in Embassies event.In light of the French election, it’s worth knowing that the Rothschilds and the Clintons are two major pieces in a secretive, international group with access to cargo planes.Please Note Koons had literally just met the Rothschild Family in Paris, an annual meeting that appears to be coordinated with the Art in Embassies event. 
Rothschild with Hearst and Ronald Lauder of FAPE
Rothschild/Koons/Hearst/LauderJPG
Now here's where it gets weird. The last government posting that John F. Kennedy made before his death was to Nancy Kefauver, the DC socialite who would lead the Art in Embassies program. Remarkably, she and her husband both died in mysterious deaths; he collapsed on the floor of the senate, while she died just before an OSS veterans gathering in DC. 
Kefauver was linked to the Corcoran School of Art, where Alefantis would eventually hold afterparties for the graduating students. 
The Kefauvers
But you're probably wondering why an old CIA program is relevant or even criminal. Well, there's good evidence showing that political and corporate figures are 'sacrificing' their children to a web of art institutions in a larger scheme of human exploitation.
But what's more important is that it shows that the CIA, through the USIS, ran these lectures in the exact same way the Art in Embassies program was run during that time. I want to reinforce my main point: this is a British-led conspiracy to control ideology of the United States, and Pizzagate is linked to this because Alefantis and Podesta are working as agents for them.  
The Art
Robert Rauschenberg at The Museum of Contemporary Art (MOCA) Geffen, Los Angeles. Rauschenberg benefitted greatly from the Museum of Modern Art's unique role as cultural ambassador. But was something more sinister afoot? 
Alefantis and David Brock owned art by Scott Treleaven, who visibly sees Aleister Crowley as an inspiration.
This piece by Dana Ellyn was featured at Alefantis' Transformer Gallery
Patterns of Satanist Abuse lead to galleries like Transformer in DC, run by Alefantis. The artist above has been featured at multiple auctions and is known to Alefantis. His work has been featured at the American Visionary Arts Museum, which is linked to Wellcome through the Adamson Collection. 
From the Heather and Tony Podesta Collection
Contemporary American artists like Jeff Koons often correspond with megarich families like the Rothschilds, and evidence suggests it is part of a larger, clandestine organization.

More:

Comments

  1. Fck dude....this is epic. Outstanding work. Its one big pedo ring hidden under the banner of "art"....Im so angry looking at some of that art. I see you over at Voat.

    If one of my children was ever abused by a pedo I would get revenge and i wouldnt stop till every i went every last pedo associate. I would give to them all...no one would know.

    ReplyDelete

Post a Comment